The Last Magic Show (2008)

The first feature film from New Zealand writer/actor/director Andy Conlan.

We meet and follow sympathetic and tragically flawed Ronny Roman (Conlan) — a magician so badly hurt by the infidelity of his former partner and stage assistant, that he weaves a world of magical make-believe around himself – as long as he believes he’s a magician with eerie dark powers, he doesn’t have to face up to the pain of betrayal — while he tries to get his life back on track.

Unfortunately his scumbag manager (a convincingly slimy Michael Hurst) isn’t doing much to help, but his scumbagness does have the accidental benefit of tricking our Ronny into an unpaid gig in a hospice where we meet our delightfully quirky love interest, in the beguiling form of Nurse Sarah (newcomer Georgie Hill), a girl with serious germ issues – she boils bottled water, “just in case” – and a heart with a Ronny Roman shaped hole in it.

Of course while life and love happen around him, Ronny is so distracted by his efforts to make a come-back TV magic show appearance – and his own hidden pain – that he might miss his chance at happiness and love. And lots of games of night time mini golf, if you know what I mean. (I mean mini golf played at night.)

Featuring one of the most surreal umbrella fight scenes between a fry cook in a wifebeater and a dapper gentleman in a top hat ever to be caught on film.

There’s a lot of wonderful weirdness to be had here, which makes for some great laughs and an enjoyable film. Support our fledgling local independent film industry, go see it tonight – at Rialto cinemas nationwide.

Phishing for Hilarity

I got an email from my bank, only it’s a bank I’ve never been a customer of, and the To: address was one of my old business contact addresses (and never used to register for anything).  So in that second before succumbing to the inevitability of hitting the ‘Report phishing’ button, I took the time to roll over the link.


I know some of the Kiwibank branches aren’t exactly flash, but they’re running them out of car washes now?  So, seriously, what is it with these people? And how can this sort of inept scam still work?

Question mark.

People stupid enough to fall for trickery this transparent could be weeded out by a simple 3 step test and … steps taken.

Step 1 – Instructions: “If you click the link below we will forward your details to terrorists.  If you wish to proceed without being exploded to death by an Irishman, do anything other than clicking the link below.”

Step 2 – Provide a link: “Click here if you want to be murdered using haphazardly constructed explosives.”

Step 3 – Murder anyone who clicks the link.  (Or if you’re feeling generous switch the ‘CustomerIsAnIdiot’ field of the database to True.)

Lions for Lambs (2007)

Robert Redford’s piercing blue eyes are piercing.  And blue.  (Damn but that’s a hot man right there.)

Tom Cruise plays the very special brand of crazy he’s so gosh darned good at.  (See his clever take-off of religious psychos in the form of the recently released $cientology parody video for another example –  what do you mean that wasn’t a parody?  — Fine, but he’s playing the same kind of crazy-eyed role here.  He really is a very good actor, braincrazy or not.)

Michael Peña, though, helped make this movie much more appealing to me.  He has such warmth about his screen presence.  I reckon he helped make Shooter as well.

The story is two angles of the same story (and two threads of one of those angles), with a political science prof (Redford) talking to a promising but underachieving young student, while two former students of his (Peña & the very good Derek Luke) are on a mission in Waronterroristan, and at the same time a Senator (Cruise) dishes about his new military strategy to a longserving journalist (Meryl Streep), the same military strategy that has dictated the mission the boys are on.

The movie felt short, like it wasn’t even really a movie at all.  Like it was a one shot TV special or something.  These hour and a half movies just don’t taste right to me.

And yet, it was still very good.  (Even if the ending left something to be desired.)

(Parenthesis.)

Indiana Jones and the Kingdom of the Crystal Skull (2008)

Indy is back after a hiatus roughly as long as Battlestar Galactica’s mid-season break.

The Kingdom of the Crystal Skull?  More like Indiana Jones – Fight the Future, am I right?

By the way, if you don’t get that reference, don’t look it up – it’s a bit of a spoiler.  Which I don’t think matters too terribly, because the whole movie stunk of foreshadowing.  Indy’s enemy packs a sword, so when Indy’s sidekick The Kid mentions studying fencing at school, what were we meant to guess was coming?  Here’s a hint, The Kid has a sword fight with her.  Even with your eyes squeezed tight shut you’ll see them coming.

It was a fun movie and given the reviews, better than I expected.  I think the reviews are mostly bad because it’s just so incredibly weird.  But there you go.

I(ndy) Want to Believe.

Movie Making Weekend

This year I joined my friends’ team for the 48 Hours filmmaking challenge. Did some writing, did some wrangling, did some acting, did some standing around.

I’m used to having complete creative control (and with it, total responsibility) over my own little movies, so it was very interesting to watch my friends directing the action, seeing how different their vision of some scenes, and how some dialog should be delivered and so on, was from my own. And of course how completely bloody brilliantly the whole thing turned out in the end.

It didn’t hurt that everyone was talented – the on camera talent (Andy Conlan, and a whole gaggle of gorgeous young things), the DP/cameraman (shooting on Red One, just by the way), the delightful eurogirl pulling focus and setting up the lighting, and of course Dylan & James running the whole show.

We gathered on Friday at my dear old friend James’ place (it’s just occurred to me that we’ve been friends for over seventeen years!) where I first met most of the crew, we found out the required elements (one of the challenges is that you don’t know your genre in advance, they also require a particular prop, line of dialog, and character, to be featured however you like, but they must all be featured) had some pizza, and talked a bunch. Most of the crew drifted off around 11PM, I hung around and helped with the script, finally heading home just before 4AM. Getting back around 9AM, after scraping a little sleep and taking a quick shower, the actors & crew were getting to grips with the script they were first seeing, scant hours before everything would start filming in a location they’d all as yet never so much as set foot in.

Headed out on the road with Dylan, and a couple of other crew, to show them around the first location, then went back to James’ place to have breakfast (picked up McDonalds on the road, the coffee was very bad).

We had a pretty slow start, with the cast and crew drifting over to the main location reasonably casually, in fact we probably only started filming at about the same time some other teams were wrapping up.

We shot from some time around noon, wrapped that location and headed for the next one about midnight, then wrapped there some time around 3AM.

I took Dylan and the second Red Drive to the edit suite in Grey Lynn, where he’d taken another Red Drive hours earlier to Gwen, which she’d loaded up started cutting, before crashing on a couch around 2am.

I bailed, and left them to it, heading for some much needed sleep.

When I finally got back to the edit suite a bit before 5PM, it was pretty much all done. I watched a bit of polish, some last minute sound work, and Dylan considering colour grading the whole thing (we shot a complex script, with two distinct threads, colour will help the audience see this even if they’re not paying a great deal of attention – we shot with distinctly different lighting rigs for each thread, so the decision was made that it was already plenty clear), then outputting the entire thing onto two seperate tapes – without the slightest of hitches (which would make some teams cry, as the forums of the challenge website have numerous sob stories from teams who didn’t make the 7pm deadline, failing to output their tape). We all then headed up to the finish line at the Grey Lynn Bowling Club, where a crowd of hundreds of happy filmmakers were gathered in a buoyant rowdy mass, applauding a shouting encouragement as each tape was delivered to the finish line, getting louder and louder as the minutes and then seconds started counting down. Shouting out the last thirty seconds – which must have been nerve-wracking, and exciting, as the last couple of entries that squeeked in under the wire were sprinted to the line.

The ground was just thick with folk in hipster glasses and ‘interesting’ jackets. If a bomb had gone off in that room, video rental stores all across Auckland would have been scrabbling to find new staff. The Auckland blogosphere would fall to a whisper.

We hung around chatting for a while – and watching, with a degree of sympathy, as a couple of teams finished editing on laptops, handing in very late, well outside consideration, but still allowed to play on the bigscreen.

Then Dylan, Andy & I headed out for some celebratory milkshakes (I was the only one that had a milkshake). Before I dropped the Dylan home, where I hope he immediately brushed his teeth to a high shine and had a very hot, very well earned shower.

I will see our wonderful little production (and myself) on the big screen at our heat on Friday night. It’s going to be fun. I’m look forward to seeing what our co-competitors have come up with, I think we really nailed it – but I’m still a little nervous to see how the audience reacts to a straight movie – I can’t help but think that it’s easier to get a reaction with a stupid, easily written gag, than with serious dialog.

It really was a wonderful experience, a great atmosphere, and if you’ve never done it, you should think about doing it next year.

And, by the way, I could totally drink your milkshake. From the other side of the room. I’m just that good.

Dan in Real Life (2007)

So it turns out that this Steve Carell comedy isn’t a Steve Carell comedy, it’s a steve Carell romance, a total date movie, so that I went with a dude is kind of awkward.

All I’m going to tell you is that it’s really sweet, and very nicely made, and I don’t want to talk about it anymore.

(Yeah, I liked it.  But you shouldn’t go if you’re not either of 1. a girl, or 2. on a date with a girl.)

YOU’RE A MURDERER!!! OF LOVE!!

Shut up.

One Man Star Wars Trilogy

MRF had the fantastic idea of checking out this performance, which is part of the Comedy Festival, but not really a comedian.   Well not in the usual sense of the word.

The concept is simple – and is pretty well laid out right there in the title – one man (Charles Ross) in a plain black overall, by himself on an empty stage, acting out the entire story of all three movies that made up the original Star Wars trilogy in one hectic, sweaty, vivid, evocative hour.

He didn’t quite manage to hit every note – his Yoda was execrable – but the really good far outweighed the less than sublime – his Jabba was brilliant, and he made for a pretty good Tie Fighter (if not such a great B or X-Wing).

Heavy on the laughs, and at not an entirely unreasonable price (particularly given that 25% of the ticket apparently goes to lining George Lucas’s pockets, in licensing fees), I’d have to say this was a pretty strongly recommended performance.

If it pops up in your town, you really should go along, it’s makes for a fun night out.  (But you’ve missed him at the Festival for this year in Auckland & Wellington.)